TY - ADVS AU - Trotta,Margarethe von AU - Katz,Pamela AU - Sukowa,Barbara AU - Milberg,Axel AU - McTeer,Janet AU - Jentsch,Julia AU - Noethen,Ulrich AU - Degen,Michael AU - Woodeson,Nicholas ED - Heimatfilm (Firm) ED - Amour Fou Luxembourg (Firm) ED - Mact Productions. ED - Sophie Dulac Productions (Firm) ED - Metro Communications (Firm) ED - Media 121 Audiovisual (Firm) ED - Arbeitsgemeinschaft der �Offentlich-Rechtlichen Rundfunkanstalten der Bundesrepublik Deutschland. ED - Degeto Films (Firm) ED - Bayerischer Rundfunk. ED - Westdeutscher Rundfunk. ED - Filmstiftung Nordrhein-Westfalen GmbH. ED - FilmFernsehFonds Bayern. ED - Filmf�orderungsanstalt (Germany) ED - Deutscher Filmf�orderfonds (Firm) ED - Film Fund Luxembourg (Firm) ED - Eurimages (Organization) ED - Centre national de la cin�ematographie (France) ED - Israel Film Fund (Firm) ED - Jerusalem Film and Television Fund. ED - Zeitgeist Films, TI - Hannah Arendt AV - PN1997.2 .H36 2013 U1 - 791.43/72 23 PY - 2013///] CY - [United States] PB - [publisher not identified] KW - Arendt, Hannah, KW - Eichmann, Adolf, KW - Women journalists KW - Drama KW - War crime trials KW - Germany KW - Banality (Philosophy) KW - Good and evil KW - Philosophy KW - Motion pictures, German KW - Biographical films KW - lcgft KW - Feature films KW - Fiction films KW - Video recordings for the hearing impaired N1 - Originally produced as a motion picture in 2012; Special features: Q&A with director Margarethe von Trotta, screenwriter Pam Katz, actresses Barbara Sukowa and Janet McTeer and advisor Jerome Kohn ; making-of featurette ; deleted scenes ; U.S. theatrical trailer ; booklet with essays, historical bios and a timeline; Director of photography, Caroline Champetier ; music, Andre Mergenthaler ; editor, Bettine B�ohler ; costume design, Frauke Firl; Barbara Sukowa, Axel Milberg, Janet McTeer, Julia Jentsch, Ulrich Noethen, Michael Degen, Nicholas Woodeson; MPAA rating: Not rated N2 - A biopic of the influential German-Jewish philosopher and political theorist. Arendt's reporting on the 1961 trial of ex-Nazi Adolf Eichmann in The New Yorker, controversial both for her portrayal of Eichmann and the Jewish councils, introduced her now-famous concept of the 'Banality of Evil.' ER -