000 | 04639cam a2200409Ia 4500 | ||
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999 |
_c19401 _d19401 |
||
001 | ocn758387852 | ||
003 | OCoLC | ||
005 | 20180326145648.0 | ||
008 | 111019s2012 nyua c 001 0 eng d | ||
010 | _a 2011941569 | ||
016 | 7 |
_a015995340 _2Uk |
|
020 | _a9780262017343 | ||
020 | _a0262017342 | ||
035 |
_a(OCoLC)758387852 _z(OCoLC)806967652 |
||
040 |
_aBTCTA _beng _cBTCTA _dUKMGB _dBDX _dEYM _dMYG _dERASA _dYDXCP _dYBM _dBWX _dCDX _dCIA _dVP@ _dHFL _dZCU _dCUD _dUTO _dTXI _dNTASP _dVRV _dIXA |
||
049 | _aUOKA | ||
050 | 4 |
_aN8243.S65 _bL58 2012 |
|
082 | 0 | 4 |
_a701.03 _223 |
092 | _a701.03 L7611 2012 | ||
999 | _b02907187 | ||
245 | 0 | 0 |
_aLiving as form : _bsocially engaged art from 1991-2011 / _cedited by Nato Thompson. |
250 | _aFirst edition. | ||
264 | 1 |
_aNew York, N.Y. : _bCreative Time ; _aCambridge, Mass. ; _aLondon : _bMIT Press, _c2012. |
|
300 |
_a259 pages : _billustrations (chiefly color) ; _c26 cm. |
||
336 |
_atext _2rdacontent |
||
337 |
_aunmediated _2rdamedia |
||
338 |
_avolume _2rdacarrier |
||
500 | _aIncludes index. | ||
505 | 0 | _aLiving as form / Nato Thompson -- Participation and spectacle: where are we now? / Claire Bishop -- Returning on bikes: notes on social practice / Maria Lind -- Democratizing urbanization and the search for a new civic imagination / Teddy Cruz -- Microutopias: public practice in the public sphere / Carol Becker -- Eventwork: the fourfold matrix of contemporary social movements / Brian Holmes -- Living takes many forms / Shannon Jackson -- Projects. Ai Weiwei ; Ala Pl�astica ; Jennifer Allora and Guillermo Calzadilla ; Lara Almarcegui and Bego�na Movell�an ; Alternate ROOTS ; Francis Al�ys ; Appalshop ; Julieta Aranda and Anton Vidokle ; Claire Barclay ; Barefoot Artists ; Basurama ; BijaRi ; Bread and Puppet Theater ; Tania Bruguera ; CAMP ; Cemeti Art House ; Paul Chan ; Mel Chin et al. ; Chto Delat? (What is to be done?) ; Santiago Cirugeda ; Cambalache Colectivo ; Phil Collins ; C�eline Condorelli and Gavin Wade ; Cornerstone Theater Company ; Alice Creischer and Andreas Siekmann ; Minerva Cuevas ; Decolonizing Architecture Art Residency ; Jeremy Deller ; Mark Dion, J. Morgan Puett, and collaborators ; Marilun Douala-Bell and Didier Schaub ; Election Night, Harlem, New York ; Fallen Fruit ; Bita Fayyazi, Ata Hasheminejad, Khosrow Hassanzadeh, Farid Jahangir and Sassan Nassiri ; Finishing School ; Free Class Frankfurt/M ; Frente 3 de Fevereiro ; Theaster Gates ; Alsonso Gil and Federico Guzm�an ; Paul Glover ; Josh Greene ; Fritz Haeg ; Haha ; Helena Producciones ; Stephen Hobbs and Marcus Neustetter ; Fran Ilich ; Tellervo Kalleinen and Oliver Kochta-Kalleinen ; Amal Kenawy ; Surasi Kusolwong ; Bronwyn Lace and Anthea Moys ; Suzanne Lacy ; Land Foundation ; Long March Project ; Los Angeles Poverty Department ; Mammalian Diving Reflex ; Mardi Gras Indian Community ; Angela Melitopoulos ; Zayd Minty ; The Mobile Academy ; Mujeres Creando ; Vik Muniz ; Navin Production Studio ; Neue Slowenische Kunst (NSK) ; Nuts Society ; John O'Neal ; Oda Projesi ; Park Fiction and the Right to the City Network Hamburg ; Pase Usted ; Piratbyr�an (The Bureau of Piracy) ; Platforma 9.81 ; Public Movement ; Pulska Grupa ; Pedro Reyes ; Laurie Jo Reynolds ; Athi-Patra Ruga ; The San Francisco Cacophony Society ; The Sarai Programme at CSDS and Ankur ; Christoph Schlingensief ; Florian Schneider ; Katerina �Sed�a ; Chemi Rosado Seijo ; Michihiro Shimabuku ; Buster Simpson ; Slanguage ; SUPERFLEX ; Apolonija �Su�ster�si�c ; Tahrir Square ; Taller Popular de Serigraf�ia (Popular Silkscreen Workshop) ; Temporary Services ; Torolab ; Mierle Laderman Ukeles ; Ultra-red ; United Indian Health Services ; Urban Bush Women ; US Social Forum ; Bik van der Pol ; Wendelien van Oldenborgh ; Eduardo V�asquez Martin ; Voina ; Marion von Osten ; Peter Watkins ; WikiLeaks ; Elin Wikstr�om ; WochenKlausur ; Women on Waves -- The Leonore Annenberg Prize for art and social change. The Yes Men ; Rick Lowe ; Jeanne van Heeswijk. | |
520 | 8 | _a'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images. | |
650 | 0 |
_aSocial movements in art _vExhibitions. _94699 |
|
650 | 0 |
_aRadicalism in art _vExhibitions. _94700 |
|
650 | 0 |
_aSocial movements _xHistory _94701 |
|
650 | 0 |
_aArt, Modern _y20th century _xThemes, motives _vExhibitions _94702 |
|
700 | 1 |
_aThompson, Nato _94703 |
|
942 |
_2ddc _cBOOK |